Monday, November 3, 2008

Super Classics of Funk Carioca: Rap do Borel


When Carlos Eduardo Cardoso da Silva left the favela of Borel at age of 11 for neighbourhood of Santa Cruz, he was crying. "I swore that I will return to Borel", he told to journalist Silvio Essinger in the book Batidão - Uma Historia do Funk.

No only did he return: he confessed his love for his home in a funk song that put Borel on the map for every kid sweating it out on the floors of Rio´s bailes. Carlos would become known as Duda do Borel, the other half of duo William & Duda, men behind funk hit "Rap do Borel" (aka "Rap da Liberdade").

Carlos moved back to his beloved Borel at age of 19. He wanted to become a football star, but broke his leg in while playing and decided to leave these dreams behind. In Borel, he met an old friend, William Santos de Souza, who convinced him to instead step on the stage and start singing funk.

"Rap do Borel", distributed on casettes around the community, was a hit before the duo even performed it in the local bailes for the first time. Grandmaster Raphael from the legendary sound system Furacão 2000 broke the song for all the Rio through the Furacão's radio show and it was then released on Pipo´s "Volta do Homem Mau"-compilation. Eventually "Rap do Borel" became one of the three classic funk hits of 1995 that propelled the genre into the Brazilian mainstream media. (Other two I have covered in this blog earlier - see articles on "Rap das Armas" and "Rap da Felicidade.")

Fame quickly followed, including performances on TV Globo, "the CNN of Brazil", and even a remix for pop-rock star Lulu Santos. But like so often, success, fame and cash also brought the hardships. First came problems with the manager and personal disputes between William and Duda followed, leading to the breaking up of the duo. "We were like a family, I feel he started to see much money and lost his head", Duda laments in Batidão.

Borel até morrer

Borel até morrer - Borel till you die, rather freely translated. This is what the song is all about, the pride over one´s community. "Rap do Borel" is a celebration of the good will and friendship between the residents of the community: "The most humble hill in big barrio of Tijuca / for my friends, we all are friends / there it´s like a family". (1.)

But the song later takes on a darker tone, lamenting the friends lost to violence. "Lots of friends went to heaven / that´s why William and Duda ask peace for the Hill of Borel / we came to sing, to remember / a little the friends who went, never to return / since our world is blue like sky". (2.) And to conclude, the song also lists other fine favelas to give them a shout-out.

In a way the lyrics are very typical for this genre of funk songs. Very similar song is "Rap da Rocinha", by MC Galo. First, the praise for the home favela, then plea for peace, list of parts of favela and finally some love to a number of other communities. Naive? Perhaps, but I still find these songs very touching in their own way and their simple message is a highly important one: a change for better starts with self-confidence and pride over where you come from and who you are.

A Rolling Stone

When the duo broke, Duda felt crushed. Who convinced him to continue his career was a young up-and-coming MC by the name of Mr.Catra, now a legendary funk MC himself: "Duda was desperate, he was saying that he was not going to sing anymore, that life was at end... So I said: 'Get up!'"

And get up he did. Duda is still working hard, one of the most respected veterans in the funk game of Rio de Janeiro. He has even travelled all the way to Finland to rock the show, thanks to DJ Rideon (read all about Duda´s very succesful Finnish invasion here). His funks are still highly socially concious, as "Rap do Guerreiro" from a few years back demonstrates: "Look at the kid growing / looking for work but not finding / two years later look at the kid / on the hill carrying an AK." (3.)

Rideon describes Duda´s incredible stage prencence pretty perfectly after witnessing him live in January 2007: "Duda is a huge, playful man, reminded me of Biz Markie because of his size and character. He was really taking his singing to another extent with grouwling, shouting, moaning and barking. He was constantly moving around the stage bouncing and he really got the crowd going. It seemed like everybody knew the lyrics and were singing along." (Rio Baile Funk: I Love Baile Funk at Circo Voador)

William e Duda: Rap do Borel (zShare)

As a bonus (and as a sort of an apology for bad sound quality of the previous file), here´s another classic song by the same duo:

William e Duda: Rap da Morena (zShare)

- - -
Notes

1) "O morro mais humilde o bairro Tijucão / porque meus amigos nós somos todos irmãos / lá é como uma família"

2) "Foram muito amigos que foram pra o céu / por isso William e Duda pede a paz pro Morro do Borel / viemos cantar, para poder lembrar / um pouco dos amigos que se foi pra nunca mais voltar / pois o nosso mundo é azul igual o céu"

3) "Olha o moleque crescendo / procurando emprego mas sem encontrar / olha dois anos depois o moleque / no morro portando um AK"

Wednesday, October 29, 2008

Mad Decent meets Cumbia



Diplo´s wonderful record label Mad Decent announced signing Toy Selectah from Monterrey, Mexico, to their roster. As the label describes him, Toy is an icon in Mexican music. He produced one of the first and biggest hip-hop acts in the country with Control Machete back in the '90s, moved on to A&R - direct for the biggest latin acts on Universal - and revived the Mexican cumbia scene with live DJ-sets around the world.

Toy Selectah is putting out his 12" on Mad Decent in January with his crew Sonidero Nacional under the new title Cumbias Machine. While digging into my song archives, I ran into the following Sonidero Nacional remix of Mexican pop princess Julieta Venegas´ song "Eres Para Mi". The remix fuses pop, reggaeton and cumbia into something called... cumbow? (Should such title leave you puzzled, let a professional musicologist shed some light on the issue.)

Julieta Venegas - Eres Para Mi (Sonidero Nacional Cumbow remix feat. Anita Tijoux and Sonidero Nacional) (zShare)

After that Toy Selectah´s official remix of Calle 13´s new single almost feels like a natural move. Calle 13 is one of the most progressive reggaeton acts hailing from Puerto Rico. Group´s previous albums took the Latin America by a storm and the third one is about to drop. Here Calle 13 manage to write a love song that has the group's trademark wit and dryish humour, yet is kinda touching at the same time.

Calle 13 - Nadie Como Tu (Toy Selectah Raverton remix feat. Café Tacuba) (direct link, via Mad Decent)

And finally Toy´s somewhat unique take on Chromeo´s Fancy Footwork.

Chromeo - Fancy Footwork (Toy Selectah Raverton remix) (zShare)

(Read more from Mad Decent´s blog.)

Tuesday, October 28, 2008

Yes, we are back.

After months of silence, I am working on taking this blog back on-line. Especially a lot of articles on funk carioca are right on their way. Meanwhile, a few free goodies for anyone interested in how is that experimental cumbia stuff doing. Pretty well, apparently.

The grand ol´ men of experimental cumbia in Buenos Aires, ZZK Records, have put on-line a nice selection of mix-tapes from the biggest names in the city: Villa Diamante, Chancha via Circuito, El Remolon and my favourites, the Mendozan "digital cumbia ragga dancehall" duo Fauna (mixed by Daleduro). Also grab the new Fauna song Los Piratas del Zanjon (Zurita Mix) for free. And congratulations to Zizek for club´s second anniversary - and November 2008 European Tour!

Cabeza! is a net label offering digital cumbia (and anything related, from hip-hop to dancehall), on-line, all for free. In their own words, they want to invite you to have a taste of sounds that are nothing less than "super-original, incredibly tasty and finely selected. Danceable in any moment and any place on planet. Rhythms with seal of quality." So give 'em a try and go get that stuff!

And if that isn´t enough cumbia for you, or you want to get your hands on something more physical, Bay Area´s Bersa Discos are there for you. Their third EP is out, this time featuring Chancha via Circuito and DJ Panik. The EP is again getting a lot of love from Turn Table Lab and is available in other selected on-line stores too.

Wednesday, October 22, 2008

Cinemaissí 2008

Cinemaissí 2008, a film festival for Latin American and Caribbean films starts today in Helsinki.

Films featured include Jose Padilla´s Elite Squad (22.10 18:30 Kino, 24.10. 21:25 Kino, 25.10 18:45 Kino and 27.10. 19:00 Bio Rex), or Tropa de Elite, the controversial Berlin Film Festival winner featured in this blog earlier - and a fine pick of other very interesting films.

Just to mention one, I could recommend Argentinian documentary Trelew (26.10 18:45, Dubrovnik). The film is a story about a failed espace attempt from a political prison during the Dirty War, the darkest chapter of the country´s history and one of central themes in Argentinian Cinema.

The rest of autumn will not be bad for film freaks either. Lens Politica, a festival for political films, is arranged in Helsinki again, so keep an eye on this site. Part of the festival will be an exhibition in Gallery FAFA of the Finnish Academy of Fine Arts, featuring a selection of my photos from Brazil.

Monday, July 28, 2008

Border Crossings: Bogotá



29 stencils and pieces of graffiti from the gritty streets of Bogotá, Colombia, are now available here for your eyes. Read more about the Border Crossings-project in the earlier post.

Monday, July 14, 2008

Cumbia Invaders




The finest of the experimental cumbia scene of Buenos Aires, Zizek, toured the North America and have clearly left their mark. A lots of blogs are writing about cumbia and there's this article on subject in URB and another one in The Fader. And XLR8R put out a mix-tape by Villa Diamante, the master-mind behind a lot of what´s happening in the cumbia movement down in Buenos Aires. Up in north Bersa Discos have released their second vinyl EP of experimental digital cumbia already a while ago - and while at the store, you probably should get this collection from Zizek's ZZK Records too. Equally curious are the rumours of some strange mergings of reggaeton and cumbia going on in between the Americas - read more here.

So cumbia just might be slowly invading the northern hemisphere too. It´s been a long trip from the beaches of the Caribbean Colombia via the suburbs and villa miserias of Buenos Aires, but apparently it´s far from over.

Tuesday, July 1, 2008

A Few Old Mixtapes



To end my vacations for good and to put some action into this blog, a couple of old mixtapes. The first is a mix of tango songs, from old classics to electronic fusion things. It's a very basic introduction, and thus includes loads of basic classics like La Cumparsita. The mix also features number of songs by Astor Piazolla, but none of them played by the maestro himself, just to show the importance of his work.

El Corazón Mixtape vol. 1 (zShare)


Second one was made over a year ago. It was a quick promo-mix for a club called We Try Too Hard, that never became reality, in a bar called Siltanen, that, I guess, never opened it's doors either. It contains hot songs of that time. Some of them are almost nostalgic already, some are just plain over-played. But I post it as the range of the styles on the mix - from baile funk to baltimore and R'n'B, from electro pop and blog house to kuduro - in a way serves to illustrate the focus, or lack of thereof, of this blog.

We Try Too Hard presents: Ruffmixxx 1 (zShare)

And here are covers for the mixes (click on images to enlarge):